Richard Hunter, Frans Hoogland, Jaqueline Wright from ABC Open, and I have been working on a project which I’d love to share with you all, it’s about Feeling Country. Many thanks to Jacqui for all the hours of pulling it together and to Gabrielle Norden and Sara Retallick for contributing beautiful sounds from Country. Enjoy!
Category Archives: Moving Images
This beautifully crafted animated documentary retraces the Lurujarri Dreaming Trail from the Goolarabooloo community in the Western Kimberley region of Western Australia
This expires later today but will be screened on SBS later in the year.
The following documentary forms part of a six-episode series that highlights Indigenous peoples’ struggle to protect their lands from industrial development. Although the Browse LNG Processing Plant will not be developed along the Lurujarri Dreaming Trail and Northern Traditions Song Cycle (songline), the traditional lands of the Goolarabooloo and Jabirr Jabirr people have still been compulsorily acquired by the Western Australian government. The WA government intends on industrialising the monsoonal vine thicket of the Dampier Peninsula, which is now a threatened ecological community and functions as a year-round food and medicinal resource.
The Native Planet documentary was respectfully made with the Goolarabooloo people and gives voice to their fight to protect country and shares the perspectives of others with supporting and divergent viewpoints.
On reading Deborah Bird Rose’s latest post, Dingo Nation, I discovered a man by the name of John Cooper. In an ABC Open story on Cooper, Debrah Novak writes:
This is a story about a man’s love and passion for his Australian Dingos. He and his pack live in the the upper reaches of the Clarence River country in Northern NSW. With him I had the privilege of watching and recording a very special moment for this story: dingo pups being born in their lair. It is just one special moment in a story about a farmer who has come up with an unusual way of keeping wild dogs under control on his property.
The truth that rings clear for me, in both Rose’s post and the video on Cooper, is the opportunity to expand our (human) deep listening and compassion to more-than-human animals and other entities. Rose refers to research by Arian Wallach which highlights the capacity for dingoes to exist in…
complex family structure (known as a pack), collaborative care of the young, cooperative hunting, territorial defense, limits on family size and structure, individual personalities, and other features that indicate highly social animals with strong loyalties and a deep sense of duties and responsibilities.
To exist within, and maintain closely-knit kinship structures is surely evidence of a highly evolved and intelligent community of beings. To know what we belong to, and our role within kinship structures, gives us a place to dwell within.
This is obviously a huge questions, but, what is it that we as humans need to resolve, to be at peace amongst ourselves and other species? Is it a Deep Ecology/Transpersonal Ecology approach to life which shepherds all life forms (I would claim all entities) into a realm of identification, where we perceive ourselves connected infinitely through multiple networks of relationships? To have a heightened sense of compassion and expand our concern with more-than-human life surely requires the realisation that we depend upon the well-being of living networks for our own physical, psychological and spiritual well-being.
The thing I love most about John Cooper’s approach to life is his openness and surrender to embracing the life that surrounds him – oh the love!
I have been following the work of Rupert Sheldrake for a short while and came across this TED Talk which proved to be quite controversial and subsequently removed from the TED website. It is worth watching if you are interested in the unpacking of Western philosophy of mind and scientific dogmas!
Stooping over, I walk under tree-ferns with bison-like beards which arch over pathways. Their beards are rough and filamentary, but tight and trimmed. Fronds umbrella up and out, framing the grey sky like lacy curtains. Way above me, the canopies of Mountain Ash engage in deep conversation with the wind. Scars on these trees show where limbs have been lost. I feel meek and vulnerable walking under these giants on such a windy day. It is not just the trees that I have come to be with on this day; another has called me (back) into the cool temperate rainforest.
The singers are hidden amongst the long, fallen ribbons of bark, they are somewhere down in the gullies beckoning me forth. I cross over deep muddy puddles, past flowing creeks and decomposing fallen trees. Everything in the forest is saturated with water and deep iridescent green. Pulled deeper in as the sun hangs low in the winter sky, I know there is not long before I must retreat to places of light and warmth. Up a rise and the earth dries out. The track twists to somewhere unknown and I sense to halt. A dark grey rock nearby summons me. I sit atop this cool, smooth form and close my eyes. A singer repeats his calls across the track from me and another somewhere behind. Like a creator of all other beings, from its song emerges the Yellow-tailed Black Cockatoo, Eastern Whipbird, Laughing Kookaburra, Eastern Rosella and its own songs. From oneness comes many. This bird holds songs and dances, it is an invoker and a weaver of creation.
When I stand from the rock, something has deepened. It is time to descend from this hill and retrace my steps below the swaying canopy. But an invitation to encounter holds me a few moments longer… a male lyrebird jumps onto a tree branch, his brilliant tail festooned below him. Hypnotized by sound, he repeats again and again the songs of the other forest beings and I wish for a feather. Why do I want for this material form? Is the song not enough to make me feel this reality? Turning to walk back I am stopped by something small, fluffy and grey on the track. So unimaginably wispy, it is almost not there. I delicately pick up this grey flank feather and hold it between two fingers. The wind quickly finds it and I watch it dance and swirl before me. Each feathery filament animated and stating its aliveness.
Source: Pizzey and Knight, The Field Guide to the Birds of Australia, 9th Ed, Harper Collins Australia, 2012
From the Monash Country Lines Archive:
The Monash Country Lines Archive (MCLA) is a collaborative Monash University project between the Monash Indigenous Centre (MIC), Faculty of Arts and the Faculty of Information Technology with a team of Monash researchers, digital animators and post-graduate students from the Monash Indigenous Centre, Faculty of Arts and the Faculty of Information Technology. The Monash Country Line Archive demands intellectual engagement in regards to issues associated with how best to construct a living archive that is a decolonised space in which communities are happy to see their material stored. It also provides an exciting place for scholars to work and share knowledge.
The Brolga Dreaming belongs to the Mambaliya-Wawukarriya clan. This story tells of the Brolga coming into Yanyuwa country and creating lagoons, freshwater wells and putting ceremony and song into the country.
© The Yanyuwa People Borroloola, Northern Territory, Australia, 2009.
Thanks Nic for reminding me of this profound project.
“Margaret Wertheim leads a project to re-create the creatures of the coral reefs using a crochet technique invented by a mathematician — celebrating the amazements of the reef, and deep-diving into the hyperbolic geometry underlying coral creation.”